Time Capsule Reviews: Suki Suki Daisuki

Man oh man oh man, this month's Time Capsule Review poll was close! I think putting it up later didn't help matters; I just didn't have time earlier in the month. For a good portion, four of the five releases under the poll were tied! Then Girls' Generation's Flower Power took the lead, only for Togawa Jun's Suki Suki Daisuki to tie it at the last minute! So then I had to do a Sudden Death tiebreaker which only one person voted on! I think the time limit didn't help; if a tie ever happens again, I swear the Sudden Death round will be longer than twelve hours! Still, we have a winner and that winner is Suki Suki Daisuki!

Let me tell you, I am stoked to review Suki Suki Daisuki. I haven't gotten to talk about Togawa Jun nearly as much as I would like, which is a shame because I am a huge Jun fan. Some of you might be wondering, "Nia, why are you reviewing Togawa Jun? Isn't she not an idol? Have you finally lost that last marble?" It is true; Togawa Jun isn't really technically an idol. However, she way she promoted herself in the early years was vaguely idol-like, if traditional idol groups were insane and sang about insects and getting their periods. I talked about Jun in my unconventional idols editorials. Personally, I see her four solo albums as her "idol" music, with Suki Suki Daisuki, the album of today's Time Capsule Review, being the last of her career as an "idol." I use that word very generously here. With that in mind though, let's step with caution into the frightening world of Togawa Jun and see what terror she served up with Suki Suki Daisuki!

1. Herikutsu Boy

Starting off the album and setting the tone for the rest of Suki Suki Daisuki is the positively cheery Herikutsu Boy. You know those songs that just sound like a product of their time? Herikutsu Boy sounds like it was made in 1984. And yet it also sounds like it took some cues from some of the doo-wop songs of the 60s, especially with the backing vocals. Herikutsu Boy is only two minutes, but it's a really energetic! Compared to Jun's other albums, Herikutsu Boy is definitely one of her most upbeat album openers, not to mention one of her more idol-sounding songs. Herikutsu Boy is fun and upbeat to the point where it's almost silly, but that silliness is endearing! I also like the way Jun sings Herikutsu Boy; her voice sounds totally saccharine but she sings the song with so much energy. Herikutsu Boy is a quick little song, but I love it. It's one of my favorite songs on Suki Suki Daisuki and the over-the-top perkiness matches the tone of the album.

My Rating:


2. Suki Suki Daisuki

Look, this was number one on my list of favorite idol songs. You know this song is my jam. Suki Suki Daisuki is to me, the perfect summation of Togawa Jun's music. The song showcases her over-the-top theatrics, her crazy-varied vocals, and her strange, often disturbing lyrics all with a very catchy chorus. Suki Suki Daisuki starts off deceptively cute, much like a typical idol song. Then the chorus starts and Jun switches her vocals from cute and high-pitched to deep and powerful. And it is awesome. Everything about Suki Suki Daisuki is awesome, but what sells the song is how well Jun delivers the lyrics. Her vocal style is so weird, but it works for her. I also love how Suki Suki Daisuki sounds equal parts cute, flirtatious, seductive, and batshit crazy. The punchline of Suki Suki Daisuki translates to, "Say you love me or I'll kill you!" Deranged and insane? Yes. Crazy and over-the-top? Absolutely. Suki Suki Daisuki isn't for everyone, but I love this song.

My Rating:


3. Angel Baby (Extra Version)

After that three minutes of thirty four seconds of delightful insanity, we slow things down a bit with Angel Baby (Extra Version). Something to note about this song is that it's sung entirely in English! Jun's pretty decent at singing in English, and I can understand just about everything in Angel Baby (Extra Version). Which may be for the worse, because the lyrics to this song are sappy. I think they're supposed to be sappy in a sarcastic way, but with the slow tempo, I think the sarcasm isn't quite as apparent as it needs to be. You know those old 1950s slow dance songs? That's the sound Angel Baby (Extra Version) draws from. Conceptually, I can see that working, but here Angel Baby (Extra Version) sounds very, very slow. And there are parts where Jun's voice gets a little too shrill for my ears. If I'm in the right mood, I enjoy Angel Baby (Extra Version), but usually, I skip this song when it comes up in my shuffle. Luckily, there's better to come!

My Rating:


4. Sayonara wo Oshiete

Anyone heard of Francoise Hardy? If not, Sayonara wo Oshiete is going to sound like a really good Togawa Jun sung. In actuality, Sayonara wo Oshiete is Jun's own Japanese version of Francoise Hardy's French-language Comment te dire adieu? The original French version is pretty cool (and check out MEG's cover of the French original!). Lyrically, Sayonara wo Oshiete is pretty different from Comment te dire adieu? although it still keeps the same general message: bidding farewell to a lover. However, Sayonara wo Oshiete goes a little more supernatural; the singer promises should she die in an accident, she'll come back as a ghost to say goodbye. A very Togawa Jun sentiment, and I like the way she delivers Sayonara wo Oshiete. She uses a deeper voice, which is nice after the high-pitched Angel Baby (Extra Version). Comment te dire adieu? is a seductively melancholic song, and Sayonara wo Oshiete captures that seductive melancholy nicely!

My Rating:


5. Zukei no Koi

Zukei no Koi is a funky little song. It's another song off Suki Suki Daisuki that sounds very much a product of its time. Still, I like Zukei no Koi! It's got a very quirky instrumental, and I love the variety of sounds mixed into the song. The only thing I think could have been done better are the vocals. Jun sounds fine, but... Zukei no Koi isn't quite as energetic as I think it could have been. I mean, this song's by Togawa Jun, so I know she can pull off high levels of energy. She sounds like she was in a completely different place mentally when she was recording this song. I feel like Zukei no Koi would sound better if Jun had sung it the same way she did Herikutsu Boy or Suki Suki Daisuki. The current vocal arrangement is fine enough, but it doesn't match up with the weird energy the instrumental has. I still listen to Zukei no Koi a lot, but listening to it from a more critical standpoint, the song could have been better. It's still a worthwhile listen though!

My Rating:


6. Aurora B

Aurora B is about the closest we get to a ballad on Suki Suki Daisuki. Even then, it's... weird. I'm not quite sure what to categorize Aurora B as. Maybe a rock ballad? Alternative ballad? Alternative rock ballad? Whatever this song is, Aurora B is a very clear change in tone. Coming right after the funky, upbeat, Zukei no Koi, Aurora B definitely has a more melancholic sound. I wish I could find an English translation of Aurora B online, because I'll bet the lyrics would explain a little better what sort of tone the song is going for. There are parts where Jun is ad-libbing, and it sounds like she's crying. In song. Does that makes sense or have I lost everyone? I've never been able to figure out if I like Jun's vocal choices in Aurora B. She sounds a little sappy at times, but then I also like the instrumental a lot along with the melody. Aurora B's not my favorite song on Suki Suki Daisuki, but I think it's an interesting song nonetheless.

My Rating:


7. Koi no Corrida

Picking up the speed after Aurora B is Koi no Corrida which sounds like something out of an opera. Not a serious opera, something like What's Opera, Doc? Koi no Corrida gives Jun a chance to sing more operatically than on previous tracks, again showing how crazy-flexible her vocal styles are. I love hearing Jun sing in opera-style; the style is perfectly over-dramatic for her. And that's how Koi no Corrida. This song is completely over-the-top, with a full-blown orchestra and backing chorus accompanying Jun's vocals. I think it's fun how Koi no Corrida is such a short song; normally operatic songs are long and drawn out, but this one's quick and snappy. I wouldn't have minded Koi no Corrida being maybe a minute longer, just to hear more of that classical-sounding instrumental. Koi no Corrida is the farthest the album gets from pop, and while it may seem like a weird foray, I think it's a refreshing change of pace! Besides, we have one more song to go...

My Rating:


8. Osozaki Girl (Extra Version)

After the operatic Koi no Corrida, we veer back into shiny happy pop territory with a strange twist! Osozaki Girl (Extra Version) is infectiously catchy; repeating the title fifty times accomplishes that! Translating to "Late Blooming Girl" Osozaki Girl is exactly what you think it's about: sex! Or at least getting into a relationship leading to sex for the first time. Osozaki Girl is actually kind of an adorable song. Jun sings it very sweetly, and most of the song sounds like a happy little pop song. Until the middle verse where she goes absolutely crazy. I'm exaggerating, she doesn't go completely crazy. Maybe only 60% crazy. After two minutes of singing in her cute voice, Jun starts singing in an almost guttural voice. It's weird and comes completely out of nowhere, but delightfully weird. Ending on the same general tone as Herikutsu Boy, Osozaki Girl (Extra Version) is a fitting end to Suki Suki Daisuki: equal parts affectionate, and equal parts crazy.

My Rating:


The Verdict

What I love collectively about Jun's solo albums is that each one has a very distinctive genre it borrows from. Tamahime-sama was alternative, Chojiku Korodasutan Ryokoki was electronic, and Kyokuto Ian Shoka was enka. As Jun's last full-length solo album, Suki Suki Daisuki is by far her most pop-sounding one. Which is not a bad thing. In fact, it's kind of amazing. Because Suki Suki Daisuki is pop as handled by Togawa Jun. Suki Suki Daisuki is eight tracks of Togawa Jun playing with pop from every angle imaginable: the saccharine love songs, the catchy, repetitive idol songs, the seductive, mature songs, with the one common thread tying everything being her melodramatic vocals. With all these songs is Jun's biting, sadistic lyrics, ranging from the murderous and deranged Suki Suki Daisuki to the overly sweet Angel Baby (Extra Version). I wish I could find translations to all the songs on Suki Suki Daisuki, because the lyrics I can find are fantastic. Jun's lyrics are insane and weird, but she has a very clear way of expressing herself, as showcased in Suki Suki Daisuki. Combined with her dramatic vocal style, Suki Suki Daisuki delivers a very distinctive collection of songs.

That distinctiveness is what keeps even the weakest tracks on Suki Suki Daisuki from being a failure. However, I will say that I like Suki Suki Daisuki as an entire album than for each individual track. Going through each track on Suki Suki Daisuki, this isn't the strongest Togawa Jun album. Songs like Angel Baby (Extra Version), Zukei no Koi, and Aurora B could be better, and considering this album is only eight tracks, there isn't room for songs of poorer quality. In spite of the lower quality, even those songs still have enough appeal for me to enjoy Suki Suki Daisuki. The best tracks off Suki Suki Daisuki are Herikutsu Boy, Sayonara wo Oshiete, Koi no Corrida, Osozaki Girl (Extra Version), and of course, the titular Suki Suki Daisuki. Those tracks are the highlight of Suki Suki Daisuki. As a whole though, this is one of my favorite idol albums, even technically it may not be an idol album. If you like groups like BiS or Bellring Shoujo Heart, I can't recommend Suki Suki Daisuki enough. And Togawa Jun's work in general.

Even with a few minor pitfalls, Suki Suki Daisuki warrants four and half apples from me. Tamahime-sama is still my favorite solo album of hers, but Suki Suki Daisuki is my second favorite. This album is about the closest to idol pop Jun got, and even then, it's her own warped take on idol pop with tongue-in-cheek lyrics, melodramatic vocals, and a memorable collection of songs. Suki Suki Daisuki is a relatively quick listen but a worthwhile one. So off you go! Listen to it!

Time Capsule Reviews: Beginner

So we meet again, AKB48. Fine. Let's do this.

What has AKB48 been up since I so callously put them on the Idol Blacklist? Their usual spiel it seems. Kokoro no Fortune Cookie- I mean Placard came out about a month ago, their next single is coming out soon, they're making more money than I ever will in my lifetime, nothing new. Because that aforementioned single will be released in November, that made AKB48 eligible for an October Time Capsule Review for the first time since their formation! So how did they fare? Well, of the 35 votes on this month's poll, Beginner got a whopping 22 of them. So yeah. Pretty easy win there. As nice as it's been not writing about AKB48's stuff, I am more than open to writing about their past releases that were actually worth talking about. And since the last day of October is a lovely Halloween, what a more fitting music video talk about than the nightmarishly violent Beginner? To think that now Beginner is four years old. Four years ago, I'd just barely gotten into idols... strange how much has changed since then. Or tragic seeing how much AKB48's changed since then. Just look at the main cover of Beginner: three of the four people featured on it are no longer in AKB48.

But let's go back to 2010, when Acchan was undisputed center and fans' heads were spinning over the music video for Heavy Rotation. Such a time 2010 was the start of a new decade, and the start of a new formula for AKB48. I'm sure you're all familiar with AKB48's five-songs a year formula: sakura song, summer song, Senbatsu song, fall song, and Janken song. Started in 2009, the formula became fully developed in 2010. In 2009, AKB48 released River, their first fall song. AKB48's fall song was meant to sound more serious, maybe darker musically and visually compared to their other singles of that year. Serious didn't always translate to better, but I liked a few of AKB48's fall songs. Beginner, however, remains the best of them. River isn't too far behind, but the other three songs fail to reach the level of quality Beginner has. Maybe because Beginner was a refreshing change in sound for AKB48. Or because Beginner is such an amazing song that none of the other songs could carry the momentum. I'm thinking a combination of both.

Really though, why is Beginner such an iconic song in AKB48's discography? It wasn't their first serious A-side; River came out the year before and was just as serious-sounding. Seifuku ga Jama wo Suru and Keibetsu Shiteita Aijou were also downright melancholic serious songs. I love all three of those songs, but I also think Beginner's a little different from them. While Beginner is a serious song, it has more of a dance sound than AKB48's previous serious songs. And I mean a hard dance sound, like a weird blend between idol pop and EDM. The beginning of the Beginner, Takamina yells "In your position, set!" then the song starts loud and it stays loud. The intensity of Beginner kind of a jarring turn, especially in comparison to AKB48's last single, Heavy Rotation. Most of the girls singing in Beginner sang for Heavy Rotation, yet the contrast in their voices is mind-blowing. Magic of editing I suppose! Still, it's editing I can 100% get behind, because the girls of AKB48 sound badass in Beginner. If they hadn't sounded so powerful, I don't think Beginner would have worked anywhere near as well as it did. A strong backing instrumental helps.

I don't just love the dance sound of Beginner; the lyrics are great. Beginner's theme is the familiar "Do your best and don't give up!" theme AKB48's used in many a song. Not a bad theme in my opinion, but hearing it multiple times can get tiring. Luckily, the theme totally works for Beginner. The first half of Beginner is very desolate and hard-hitting, talking about failure and the burdens of the past. But then the chorus encourages the listener to break free, with the energy building each time the chorus is repeated. Then after the second chorus, Beginner takes a turn for the triumphant. Listening to Beginner makes me want to revolutionize the world and start things anew. And Beginner was a revolutionary song for AKB48. In the days before UZA, this was their dance song, and it is an incredible one. I've already gushed about Beginner in my Top 20 AKB48 Songs, but gushing about it again is not a difficult feat. All I'll say more about the song is that Beginner lives up to the hype. If you only listen to one AKB48 song, make it this one.

The same statement can be applied to the music video as well! Something to note is that the music video I'm reviewing is not the one on AKB48's Youtube channel. That's the shitty rehearsal version they decided to promote because the real one was too violent. What's that? Too violent? How violent could an AKB48 video possibly get? That's what I thought many moons ago when I was just getting into AKB48. Today is Halloween after all; I think reviewing something horrifying is just the way to celebrate the holiday!

The PV starts out innocently enough with some Engrish-y instructions.

And we see some old faces practicing the choreography!

Shall we play a game?

Appropriately, Takahashi Minami's unnervingly blue eyes captain the game.

Notice how each letter type matches the surname of each idol?

Stepping up to the challenge is Player I Shinoda Mariko! Go Mariko!

Her opponent? The ball version of Sashihara Rino! Who will prevail? Let's see!

Mariko's doing well! She truly is-

Oh no. Well, it's just one hit, I'm sure she'll be fine!

Former idol and fashion model Shinoda Mariko just had her skull crushed. In an idol PV.

B-but... it's okay! Because Watanabe Mayu can win! She's won the Senbatsu!

Or not... holy shit.

Why do they have to show us up close and personal Mayuyu getting impaled from all sides!?

This game approaches death with the same cheerfulness of a Pokemon game.

Here comes Kojima Haruna... maybe she'll die mercifully and painlessly?

...that does not look merciful and painless.

That was not a merciful and painless death.

I scoffed at AKS choosing not to air this PV, but they might have had solid reasoning.

Somehow the unrealistic blood doesn't make Oshima Yuko's death any less painful-looking.

At least in the real world (or the not-game world), Maeda Atsuko's gaining self awareness!

Unfortunately, her game counterpart is getting impaled. In one of the nerviest places of the body too.

And shit's about to get real in three... two...

...one.

While the audience clutches their palms in pain, things look pretty awful for Acchan.

Luckily, Yuko is only mostly dead.

And because Yuko is just that awesome, she frees Acchan!

But the Big Bad Gaming System doesn't like that, and Yuko's about to be fully dead.

Honestly, nothing from here can top Haruna's endgame scene. Still, ouch.

But what's this!? Acchan's unplugged and back in the real world!

Naturally, she reacts like any sane person who got stabbed in the hand would.

So what does game!Acchan do? SHE RIPS HER FUCKING HAND OFF.

And then like the friendly idol version of the Terminator she gets a badass weapon!!!

And then she stabs the Big Bad Gaming System right back!!!

Then Jurina shows up and I'm not sure why and it's kind of pointless but at this point things are too awesome to even question that!

But look! They're breaking the game apart from the inside!

From here on, it's a gaming revolution. Everyone's breaking free!

Even the people who died in previous levels get new lives!

This is great! The game is off, everyone lives, and the players are all free from control!

...except Takamina.

But she can still be saved through the power of friendship!!

See? Yuko's alive and saving even more people because she's just that much of a quality person!

Damn right the game is over! And never to be played again!

With the last wire unplugged, the players are all free to go... somewhere! Back to the theater?

With one final kick, Yuko sends the last of the game literally bouncing off the walls.

Which leads to one final badass shot.

Now this is how you do a music video. I'm not saying that just because Beginner is violent and edgy. I know I have tendency to be biased toward those kinds of music videos... No, Beginner is an amazing music video because of it tells a story and it tells a story well. What do you need in any basic story? Conflict. You need a resolution to that conflict, and an exposition for it. Beginner has both, and with some excellent pacing, it has an excellent story. When I watched this video for the first time, I was invested. Did the plot make much sense? No. But that didn't matter because the stakes were raised so high that I was too busy wondering what would happen next. Watching this video for the first time is a shock to the system, especially if you go in not knowing what it's like and having a perception of AKB48 as an orthodox idol group. And while their 2014 music videos may lead you to believe that, Beginner is ruthlessly violent. Whenever one of the members died in this music video, it was like having the floor drop beneath my feet. Not because I didn't see the deaths coming, but because of how cold and merciless the deaths were.

And the deaths in Beginner are brutal. By idol standards, the manner in which some of the girls die is downright disturbing. I think without a doubt the worst one is Haruna's death. It would have been one thing to just slice her head off, but the bland cut right through the middle of her face. That simple shot of her body slumping to the floor with her upper head still above the blade made my stomach lurch. While Acchan may have avoided death, that closeup of her impaled hand made me squeamish too. Said squeamishness was only amplified when the PV cut back to the "real" world. Acchan's always been an iffy actress, but those screams gave me chillbumps. The deaths of Mariko, Mayuyu, and Yuko were hard-hitting too. Mayuyu's endgame was pretty gory too, even if the blood bursting out of her mouth was obviously synthetic. I can see why AKS decided not to include this music video with the single. I can't believe they even let the director of this PV get away with the concept. I'm happy they did though, otherwise we wouldn't have gotten this awesome PV.

The violence of Beginner isn't what solely makes this PV awesome. Like I said, Beginner has a tightly paced story. The conflict of this PV is engaging and makes the viewer root for the players of this twisted video game. The payoff comes from the turning point, when Acchan's hand gets impaled. From their is a chain of events: Yuko saves Acchan at the cost of her own life, Acchan goes unplugged, all climaxing into her game avatar ripping her hand off and growing a new weapon. From there, it's all uphill. Acchan defeats the game, with a little help from Jurina, and saves every other player who was plugged/enslaved into the game. The biggest payoff comes from Yuko hugging a still-plugged Takamina, thus breaking the last bit of control the game had. Watching the girls pull that last plug out is such a satisfying conclusion to the story. Then that last bit in the dance shot where Yuko kicks the ball and it ricochets around the room is like the cherry on top of the most deliciously violent sundae. Beginner is a violent wave of emotions and disturbing scenes, but that last shot makes the entire music video worth it.

Beginner not only has a great story but also a great atmosphere. I love sci-fi. Especially that sleek, polished looking sci-fi like the one used in Beginner. The setting of Beginner is simplistic, like an early-era video game, which I think makes the violence even more effective. I love the little touches the editors put into this music video. There's a lot of little things you need to pause to see, in both the text and the weapons. Like a lot of the opponents/monsters have the names of other AKB48 idols on them, like Sashihara Rino and Minegishi Minami. I'm not completely sure why they're in there, but touches like that only add atmosphere to the music video. The almost-cute cleanness of the music video also makes the deaths even more dissonant. Like when the text pops up saying "OMG!! Damage!!" It sounds so cheerful on text, which makes the violence even more nightmarish. And the girls all look amazing. The outfits for beginner match perfectly with the tone of the setting. I especially love the uncannily blue eye contacts the girls all wear in the "real" world.

To say I love the concept for Beginner is an understatement. I would watch a movie about this. Hell, I'd read a story. Someone novelize this music video! Beginner at heart tells a simple story that's been done in other media. But the execution and the fact that this is AKB48 we're seeing make that story stand out. The music video pulls no punches in showing violence (in fact, I think it held back considering how far it could have gone with some of the deaths). To see the Senbatsu of AKB48, who last music video were prancing around in lingerie singing about love, get so quickly disposed of is a huge shock. And that shock value makes Beginner an even greater music video. AKB48's always pushed the limit with some of their music videos in the past, like Seifuku ga Jama wo Suru and Keibetsu Shiteita Aijou. But Beginner was their first foray into science fiction, and it was a memorable one. I don't think AKB48 could ever replicate the same effect they had with Beginner. Considering the current state of the group, I don't even think I'd want them to. For me, Beginner's music video is the one that made me realize that AKB48 was more than just a generic idol group. They could be dark, they could be edgy, and they could make a damn fine music video.

Five freaking apples. One for each death in Beginner plus Acchan's impaled hand. And also because Beginner is an amazing song with an even more amazing music video. Beginner is definitely in my top 10 idol music videos. It's edgy, violent, and pushes boundaries for an idol group. Looking back on Beginner gets me nostalgic for the AKB48 that was... and makes me try to forget the AKB48 that exists now. Go watch Beginner if you haven't done so already and see what I mean.